Bibliografia G-Z

BIBLIOGRAFIA TEATRALE G-Z


148. Gallo, I. "La capienza dei teatri e il calcolo della popolazione. Il caso di Atene" in I.Gallo (a c.di) Studi salernitani in memoria di R.Cantarella, Salerno 1981, p.271-89
149. Galy, J.H. "La Musique dans la comédie grecque des V et IV siècles", Annales de la Faculté des Lettres de Nice 50 (1985), p.77-94
150. García Novo, Elsa, La entrada de los personajes y su anuncio en la tragedia griega. Un estudio de 	técnica teatral, Madrid, 1981 (p.784; Craik JHS 1983 abb. Negativa)
151. Gardiner, C.P. "Anabainein and katabainein as Theatrical Terms", TransactAmPhilAss 108, 1978, p.75-9
152. Garzya, A. "Sulla questione delle interpolazioni degli attori nei testi tragici", Vichiana 9, 1980, p.3-20
153. Gebhard, E., "The Form of the Orchestra in the Early Greek Theatre", Hesperia, 43, 1974, p.428-40
154. Geissler, P., Chronologie des altattischen Komödie, Dublin-Zürich, 19692 (rist. della prima ediz., Philologische Untersuchungen, 30, Berlin, 1925)
155. Gelzer, Th., "Tradition und Neuschöpfung in der Dramaturgie des Aristophanes"in Newiger 1975  p.283-316.
156. Gelzer, Th., Aristophanes der Komiker (12) in RE Suppbd XII, 1970, coll. 1392-1569
157. Gelzer, Th., Der epirrematische Agon bei Aristophanes, München, 1960  
158. Gelzer,Th., "Some aspects of Aristophanes' dramatic art in the Birds", BICS, XXIII,1976, 1-14 (ora in Segal 1996 p. 194-215)
159. Gelzer, Th., "Aristophanes" in Seeck 1979, p.258-306
160. Gentili, B.-Perusino, F. (a c.di) Mousiké. Metrica, ritmica e musica greca in memoria di G.Comotti, Pisa-Roma, 1995
161. Gentili, B. Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theatre, London, 1979 (ed. or. it. Lo spettacolo nel mondo antico. Teatro ellenistico e teatro romano arcaico, Bari, 1972).
162. Gerhäuser, M.F., Untersuchungen über die Spielmöglickheit in griechischen Theater, Darmstadt, 1964
163. Ghiron-Bistagne, P. "La messa in scena della commedia attica antica illustrata nelle arti figurative", Dioniso, xlv, 1971-74, p.231-250
164. Ghiron-Bistagne, P.(a c. di), Thalie. Mélanges interdisciplinaires sur la comédie, CGITA 5, 1989 (ID. "Jongleries verbales sur les anthroponymes dans les comédies d'Aristophane"p.89-98; Jacques, J.-M., "L'idée comique et sa réalisation scénique dans les 	Acharniens", p.3-16; Jouan, F., "La paratragédie dans les Acharniens", p.17-29; Thiercy, P., "Deux variations sur les Acharniens", p.31-38; 	Trédé-Boulmer, M. et Saïd S. "Les comédies d'Aristophane et notamment Les 	Acharniens. Eléments de bibliographie critique", p.165-175) 
165. Ghiron-Bistagne, P., Recherches sur les acteurs dans la Grèce antique, Paris, 1976
166. Gigante, M. Rintone e il teatro in Magna Grecia, Napoli, 1971
167. Gil, L., "Note agli Acarnesi di Aristofane", MCr 1983, p.77-83
168. Gil, L.,"El Aristófanes perdido", Cuadernos de Filologìa Clásica, 1989, pp. 39-106. 
169. Gil, L., "'Los Caballeros' de Aristófanes: análisis literario", CFC, n.s. 5, 1995, p.9-28
170. Gilula, D., "Exits motivations and actual exits in Terence", AJPh 100, 1979, p.519-530
171. Gilula, D., "A singularly gifted actor (Ar. Th.1056-1096)", Quaderni di Storia, 44, 1996, p.159-164
172. Gilula, D., "The poet faces his audience", Quaderni di Storia, 45, 1997, p.131-143 (sulla parabasi e l'intervento personale del poeta)
173. Gogos, S. "Bühnenarchitektur und antike Bühnenmalerei. Zwei Rekonstruktionsversuche nach griechischen Vasen", ÖJh, 54,1983, p.59-86
174. Gogos, S. "Das Bühnenrequisit in der griechischen Vasenmalerei", ÖJh, 55, 1984, p.27-53.
175. Gogos, S. "Zur Typologie vorhellenistischer Theaterarchitektur", ÖJh 59, 1989, Beib., col. 114-158
176. Goldhill, S. "Reading Performance Criticism" G&R, 36, 1989, p.172-82
177. Goldhill, S., "Comic inversion and inverted commas: Aristophanes and parody" in The Poet's Voice: Essays on Poetics and Greek Literature, Cambridge, 1991, p.167segg.
178. Goldhill, S., "Representing Democracy: Women at the Great Dionysia" in R.Osborne-	S.Hornblower (a c. di) Ritual, Finance, Politics: Athenian Democratic Accounts 	Presented to David Lewis, Oxford, 1994, p. 347-69
179. Gomme, A.W., Essays in Greek History and Literature, Oxford, 1937, in part. p.254-61
180. Goyens-Slezakowa, C.  "Images et metaphores utilisées par Aristophane dans les 	parodies des tragiques", in Ghiron-Bistagne 1989, p.99-110 
181. Gredley, B. "Dance and Greek Drama", in Themes in Drama 3, p.25-29
182. Gredley, B. "Greek Tragedy and the "Discovery" of the Actor" in J.Redmond (ed.), Drama and the Actor (Themes in Drama, 6), Cambridge, 1984, p.1-14
183. Gredley, B., "Comedy and Tragedy" in Silk 1996, p.203-217
184. Green, J.R "Carcinus and the Temple: a Lesson in the Staging of Tragedy", GRBS 31, 1990, p.281-5
185. Green, J.R. "Notes on Phlyax Vases", NumActCl 20, 1991, p.49-56
186. Green, J.R. "Théâtre et societé dans le monde hellénistique. Changement d'image, changement de rôles", in Realia. Mélanges sur les réalités du théâtre antique. Cahiers du Groupe Interdisciplinaire du  Théâtre Antique 6, 1990/1, p.31-49
187. Green, J.R. "Greek Theatre Production: 1971-86", Lustrum 31, 1989, p. 7-95 (e 273-8)
188. Green, J.R. "Theatre" in J.Boardman (a c. di) The Cambridge Ancient History, Plates to volumes V and VI. The Fifth and Fourth Centuries B.C., nuova ediz., Cambridge, 1994, p150-166
189. Green, J.R. , "On Seeing and Depicting the Theatre in Classical Athens", GRBS, 1991, p.15-50  
190. Green, J.R.Theater in Ancient Greek Society, London/New York, 1994
191. Griffiths, A. (a c.di) Stage directions. Essays in Ancient Drama in Honour of E.W.Handley, BICS Suppl.66, London, 1995
192. Grilli, A., Inganni d'autore. Due studi sulle funzioni del protagonista nel teatro di Aristofane, Pisa, 1992.
193. Guardi, T. "L'attività teatrale nella Siracusa di Gerone I", Dioniso 51, 1980, p.25-48.
194. Habash, M., "Two Complementary Dionysiac Festivals in Aristophanes' Acharnians", AJPh 116, 1995, p.559-577
195. Haendel, P., Formen und Darstellungsweisen in der aristophanischen Komödie,Heidelberg,1963
196. Haldane, J.A. "A scene in the Thesmophoriazusae (295-371)", Philologus 	1965, p.39-46
197. Hall, E.M.,	"The Archer Scene in Aristophanes' Thesmophoriazusae", Philologus 133, 1989, p.47-? 
198. Halleran, H. M. Stagecraft in Euripides, London, 1985	
199. Halliwell, S., "Comedy and publicity in the society of the polis", in Sommerstein 1993, p.321-340
200. Halliwell, S. "The Sounds of the Voice in Old Comedy" in E.M.Craik (a c. di) 'Owls to Athens'. Essays on Classical Subjects Presented to Sir Kenneth Dover, Oxford, 1990, p.61-79
201. Halliwell, S., "Aristophanic Satire" The Yearbook of English  Studies 1984, p.6-20 (= C.J.Rawson 	-a c. di- English Satire and the Satiric Tradition, Oxford, 1984)
202. Halliwell, S., "The Function and Aesthetics of Greek Tragic Mask", in N.W.Slater-	B.Zimmermann (a c. di) Drama 2, Stuttgart, 1993, pp. 195-211. 
203. Hamilton, R. "Cries within and the Tragic Skene", AJPh, 108, 1987, p.584-99 
204. Hamilton, R. AJA 82, 1978, p.385-87 
205. Hamilton, R., "Announced entrances in greek tragedy",  HSCPh, LXXXII, 1978, p.63-82
206. Hamilton, R., "Comic acts", CQ 41,1991, p.346-55 
207. Hamilton, R., Choes and Anthesteria: Athenian Iconography and Ritual, Ann Arbor,1992
208. Hammond, N.G.L. "More on conditions of Production to the Death of Aeschylus", GRBS, 29, 1988, p.5-33
209. Hammond, N.G.L., "The Conditions of Dramatic Production to the Death of Aeschylus", GRBS 13, 1972, p.387-450
210. Handley, E.W. "The Conventions of the Comic Stage and their Exploitation by Menander", Entretiens Hardt xvi, Vandoeuvres-Genève, 1970, p.3-26 (1-42?)
211. Handley, E.W., "Aristophanes and his Theatre", in Bremer-Handley 1993, p.97-117
212. Handley, E.W., "Aristophanes and the generation gap", in Sommerstein 1993, p.417-430 (vecchiaia: cfr., in prop. B.S.Strauss Fathers and Sons in Athens. Ideology and Society in the Era of Peloponnesian War, London, 1993)
213. Handley,E.W.-Rea,J., The Telephus of Euripides, BICS Suppl. 5, 1957. 
214. Handley, E.W., "Comedy. From Aristophanes to Menander" in P.E.Easterling-B.M.W.Knox The Cambridge History of  Classical Literature, vol.I (Greek Literature), Cambridge, 1985, p. 398-414 (v. anche J.Gould "Tragedy in Performance", p.263-81), tr. it. La letteratura greca della Cambridge University, Milano, 1989 ("La commedia", p.649-780) 
215. Handley, E.W. "Aristophanes and the generation gap" in Sommerstein 1993, 	p.417-430 
216. Hansen, H.,  "Aristophanes' Thesmophoriazusae: theme, structure and production", 	Philologus 120, 1976, p. 165-85.
217. Harder, R.E., "Zur Personenverteilung in Aristophanes' 'Rittern'", Hermes 124, 1996, p.29-44
218. Harms, C., De introitu personarum in Euripidis et novae comoediae fabulis (Diss.Göttingen 1914)
219. Harriot, R.M., "Aristophanes Audience and the Plays of Euripides", BICS 9, 1962, p.1-8
220. Harriot, R.M., Aristophanes Poet and Dramatist, London-Sydney, 1986
221. Harriott, R., "Acharnians 1095-1142. Word and actions". BICS 1979, p.95-98.
222. Harriott, R., "The function of the Euripides Scene in Aristophanes' Acharnians", 							G&R, 1982, p.35-41.	
223. Heath, M., "Aristophanes and his rivals", G&R 37, 1990, p.143-58
224. Heath, M., "Aristotelian Comedy", CQ 1989, p.344-54 
225. Heath, M., "Euripides Telephus", CQ, 37, 1987, p.272-280.
226. Heath, M., Political Comedy in Aristophanes, Hyp. 87, Göttingen, 1987  (soprattutto l'Appendix sull'unità della commedia)
227. Heath, M., Unity in Greek Poetics, Oxford, 1989
228. Hedreen, G.M. Silens in Attic Black-figure Vase-painting: Myth and Performance, Ann Arbor, 1992
229. Heiden, B., "Emotion, acting and the Athenian ethos",in Sommerstein 1993, pp. 145-	166
230. Heiden, B., "Two notes on the Frogs", LCM 19.1, 1994, p.8-12
231. Heilmeyer, W.D. "Vom modernen Mißverständnis antiker Theaterbauten", Antike Welt 18, 1987, p.22-28
232. Henderson, J., "Comic hero versus political élite", in Sommerstein 1993, p.307-320
233. Henderson, J. "Women and the Athenian Dramatic Festivals", TAPA 121, 1991, p.133-47
234. Henderson, J., The Maculate Muse. Obscene language in Attic Comedy, New-Haven-	London, 1975 (2nd ed.New Haven, 1990: with a new foreword, addenda, 	corrigenda & retractanda and uptated bibliography)
235. Henderson, J. "Lysistrate: The Play and its Themes", YCS 1980, p.153segg 
236. Henderson, J., "Problems in Greek Literary History: The Case of Aristophanes' 	Clouds" in R.M.Rosen-J.Farnell (a c. di) Nomodeiktes. Greek Studies in Honor of 	M.Ostwald, Ann Arbor, 1993, p.591-601
237. Herington, C.J., "The influence of Old Comedy on Aeschilus' later trilogies",TAPhA. XCIV,1963,113-25  
238. Hess, S., Studien zum Prolog in der attischen Komödie, Diss. Heidelberg, 1953
239. Hölscher, U., "Schrecken und Lachen. Über Ekkyklema-Szenen im attischen Drama", 	in A.Bierl e P.von Möllendorff (a c. di), Orchestra. Drama- Mythos- Bühne, 	Festschrift für H.Flashar, Stuttgart/Leipzig, 1994, pp. 84-96.
240. Holzberg, N. Menander. Untersuchungen zur dramatischen Technik, Nürnberg, 1974
241. Horn, W., Gebet und Gebetsparodie in den Komödien des Aristophanes, Nürnberg, 1970
242. Hourmouziades, N.C., "Menander's actors", GRBS 14, 1973, p.179-188 
243. Hourmouziades, N.C., Production and imagination in Euripides. Form and function of the scenic space,  Atene, 1965
244. Hubbard, Th.K. The Mask of Comedy. Aristophanes and the Intertextual Parabasis, Ithaca-London, 1991
245. Hughes, A. "Acting Styles in the Ancient World", Theatre Notebook 45, 1991, p.2-16
246. Hugill, W.M. Panhellenism in Aristophanes, Chicago, 1936
247. Hunningher, B., Acoustics and acting in the theatre of Dionysus Eleuthereus, Amsterdam,1956
248. Hunter, R.L., "The comic chorus in fourth century", ZPE, 36, 1979, p.23-38
249. Hunter, R.L., The New Comedy of Greece and Rome, Cambridge, 1985
250. Jens, W. (a c. di) Die Bauformen der griechischen Tragödie, Poetica Beiheft 	6, München, 1971
251. Jobst, W. Die Höhle im griechischen Theater des 5. und 4. Jahrhunderts v. Chr., Wien, 1970
252. Johnston, M., Exits and Entrances in Roman Comedy (Plautus and Terence), Geneva, New York (Diss.	Columbia University), 1933
253. Jong, I.J.F. de-Sullivan, J.P. (a c. di), Modern Critical Theory & Classical Literature, Leiden-New York-	Köln, 1994 (in part. 10-12; 207-21): Sullivan "Introduction. Critical Continuity and Contemporary Innovation", p.1-26)
254. Jouan, F. "Le costume du choeur dans le drame satyrique", in Delphi 1986, p.92-97
255. Kaimio, M. "The Protagonist in Greek Tragedy", Arctos, xxvii, 1993, p.19-33
256. Kaimio, M. (et al.), "Comic Violence in Aristophanes", Arctos, 1990, p.47-72 
257. Kaimio, M., "The Chorus of Greek Drama within the Light of the Person and Number Used", Commentationes Humanarum Litterarum 46, Helsinki,1970
258. Kaimio, M., Physical Conctact in Greek Tragedy: a Study of Stage Conventions, Annales Academiae Scientiarum Fennicae, Ser.B, 244, Helsinki, 1988
259. Kalligas, P. "Ergasiai tou ierou Dionysou Eleuthereos"  ADelt. 18, 1963 [1965], ????. p.12-18 
260. Kassel, R. "Zu den 'Fröschen' des Aristophanes", RhM 137.1, 1994, p.33-53
261. Kenner, H. "Zur Archäologie des Dionysostheaters in Athen",  ÖJh 57, 1986-87, Hauptblatt, p.55-91
262. Ketterer, R. "Lamachus and Xerxes in the exodos of the Acharnians", GRBS, 1991, p.51-60
263. Ketterer, R.C., "Stripping in the Parabasis of Acharnians", GRBS, 1980, p.217-21
264. Key, D.M. The introduction of characters by name in Greek and Roman comedy, Diss. Chicago, 1923
265. Klimek-Winter, R. Andromedatragödien: Sophokles, Euripides, Livius Andronikos, Ennius, Accios, Teubner, Stuttgart, 1993.
266. Knox, B.M.W., Word and Action: essays on the ancient theater, Baltimore, 1979
267. Koch, K.D., Kritische Idee und Komisches Thema. Untersuchungen zur Dramaturgie und 	zum 	Ethos der aristophanischen Komödie, Bremen, 1965
268. Koch, W. 1914	De personarum comicarum introductione, Breslau (Vratislaviae), 1914
269. Koeckert, H., Aristophanes und die Religion. Zum Verhältnis von Komik und Religion in 	der aristophanischen Komödie, diss. Leipzig, 1976
270. Kolb, F. "Polis und Theater" in Seek 1979 p.504-545
271. Kolb, F. "Theaterpublikum, Volksversammlung und Gesellschaft in der griechischen Welt", Dioniso 59, 1989, p.345-51
272. Kolb, F. Agora und Theater: Volks- und Festversammlung, Berlin 1981
273. Komornicka, A., Métaphores, personifications et comparaisons dans l'oeuvre d'Aristophane,Wroclaw- Warszawa- Krakòw, 1964
274. Komornicka, A.M. "Aristophane et son public" in Mélanges L.Press (1992) p.141-48 ?
275. Konstan, D., Greek Comedy and Ideology, Oxford, 19951
276. Kopff, E.Ch., "The date of Aristophanes, Nubes II", AJPh 111, 1990, p.318-329
277. Kraus, W., Aristophanes' politische Komödien, Die Acharner, Die Ritter, Wien, 1985
278. Krause, C. "Skenographie..." in Green 1986
279. Kuch, H. (a c. di) Die griechische Tragödie in ihrer gesellschaftlichen Funktion, Berlin, 1983
280. Lada, I., "'Empathic understanding': emotion and cognition in classical dramatic 	audience-response", PCPhS 39, 1993, pp. 94-140 
281. La Matina, M., analisi attanziale, Greimas della Lisistrata in Buttitta, A. et al. (a c. di) Studi di filologia classica in onore di G:Monaco, vol I, Palermo, 1991  
282. Landfester, M., Die Ritter des Aristophanes. Beobachtungen zur dramatischen 	Handlung 	und zum komischen Stil des Aristophanes, Amsterdam, 1967
283. Landfester, M., Handlungsverlauf und Komik in den frühen Komödien des Aristophanes, 	Berlin-New 	York, 1977
284. Lange, G., Quaestiones in Aristophanis Thesmophoriazusas, diss.Göttingen, 1891	
285. Lanza, D. "L'attor comico sulla scena", Dioniso 59, 1989, p.345-51 ?297-312?
286. Lanza, D., "L'attor comico davanti alla scrittura" in M.Detienne (a c. di ) Sapere e 	scrittura in Grecia, Bari, 1989, pp. 179 segg 
287. Lanza, D. "Lo spazio scenico dell'attor comico", in De Finis 1989, p.179-192
288. Lanza, D., "Lo spettacolo",in M.Vegetti (a c.di) Introduzione al sapere degli antichi I:oralità,scrittura,spettacolo, Torino, 1983, 107-139
289. Lanza, D., "Aristofane rigattiere"in Teoria e storia della messinscena nel teatro antico, Genova, 1991, p.51-62
290. Lanza, D., "L'attore", in M.Vegetti (a c.di) Introduzione alle culture antiche, I: oralità, scrittura, spettacolo, Milano, 1983, 107-39
291. Lanza, D., "Le temps de l'émotion tragique. Malaise et soulagement", Metis, 3, 1988, p.15-39  (sulla catarsi)
292. Lapini, W., "Minima Aristophanea", Latinitas 23, 1995, p.307-311
293. Lauter, H. Die Architektur des Hellenismus, Darmstadt, 1986
294. Leo, F. Der Monolog im Drama. Ein Beitrag zur griech.-röm. Poetik, AGG, N.S., X 5, Berlin, 1908
295. Ley, G. "Agatharcos, Aeschylus and the construction of a skene", Maia 41, 1989, p.35-38 
296. Ley, G. "Performance Studies and Greek Tragedy", Eranos 92, 1994, p.29-45
297. Ley, G. "Trivial gestures", LCM xiv, 1989, p.116-17
298. Ley, M.?? -G.Ewans "The orchestra as Acting Area in Greek Tragedy", Ramus 14, 1985, p.73-84
299. Lind, H. Die Gerber Kleon in den 'Rittern' des Aristophanes, Frankfurt a.M., Bern-New York-Paris, 1990
300. Lindemann, P.E., De introductione...., Diss. Marburg, 1922
301. Long,T., "Persuasion and the Aristophanic agon", TAPhA 103, 1972, p.285-99
302. Longo, O. "La scena della città -Strutture architettoniche e spazi politici nel teatro greco", in De Finis 1989, p.23-42
303. Longo, O. "Teatri e theatra. Spazi teatrali e luoghi politici nella città greca", Dioniso, 58, 1988, p.7-33
304. Longo, O. "The Theater of the Polis" in Winkler-Zeitlin 1989, p.12-19
305. López Eire, A. "Situación, entonación, mímica y contexto en la comedia aristofánica", 	Humanitas xlvi, 1994, pp. 129-150.
306. Lowe, J.C.B., "Manuscript evidence for changes of speaker in Aristophanes" BICS, IX, 1962,p.27-42; un contributo con esempi in Hermes XCV 1967, p.53-71
307. Lowe, N.J., "Aristophanes' Books", Annals of Scholarship 10, 1993, p.63-83
308. Lowe, N.J., "Greek Stagecraft and Aristophanes" in J.Redmond (a c. di) Themes in Drama vol.10, 	Cambridge, 1988, p.33-52
309. Luppe, W. "Zu den Plazierungsangaben in den Aristophanes-Didaskalien", ZPE 77, 1989, p.18-20
310. Maass, P. Die Prohedrie des Dionysostheaters in Athen, Vestigia 15, München, 1972
311. MacDowell, D.M.,		"The meaning of ajlazw;n", in Craik 1990, p.287-92
312. MacDowell, D.M., "Aristophanes and Kallistratos", CQ 32, 1982, p.21-26. 
313. MacDowell, D.M., "Aristophanes, Frogs (1407-1467)", CQ, 1959, p.261-68 (compreso, in traduz. tedesca in Newiger 1975)
314. MacDowell, D.M., "The number of speaking actors in Old Comedy", CQ 44, 1994, p.325-335. 	
315. MacDowell, D.M.,"The nature of Aristophanes' Acharnians", G&R, 1983, p.143-62
316. MacDowell, D.M., Aristophanes and Athens, Oxford, 1995
317. MacDowell, D.M. "Clowning and Slapstick in Aristophanes", in J.Redmond (a c. di) Themes in 	Drama vol.10: Farce, Cambridge, 1988, p.1-13
318. Malhadas, D. "La rencontre d'Oreste et d'Electre. Espace et mise en scène", Dioniso 59, 1989, p.361-3
319. Manton, G.R., "Identification of Speakers in Greek Drama", Antichton 16, 1982, p.1-16
320. Marianetti, M.C. Religion and Politics in Aristophanes' Clouds, Hildesheim, 1992
321. Martín de Lucas, I., "Los demostrativos en Aristófanes", Emerita lxiv, 1996, p. 157-171
322. Marzullo, B. I sofismi di Prometeo, Firenze, 1993
323. Marzullo, B., "L'esodo della Lisistrata",  MCr., 10-12, 1975-77, p. 127-39 
324. Marzullo, B., "La 'parola scenica'" QUCC ns 22 (51) 1986 pp.95-104
325. Marzullo, B., "La 'parola scenica'. II" QUCC ns 30 (59) 1988 pp.79-85  
326. Marzullo,B., "Note alla Pace e agli Uccelli di Aristofane", MCr, 4-7, 1970-72, p.86segg.
327. Marzullo, B., "Aristoph. Av. 801-8", MCr 1980-82, p.87-91
328. Marzullo, B., "Aristoph. Pax 524", MCr 1983, p.123-27
329. Marzullo, B., "Aristoph. Ran.503", MCr 10-12, 1975-77, p.143-44
330. Marzullo,B., Aristofane. Le commedie. Roma-Bari 1982², traduz. rivista e corretta, 3 voll. (19681)
331. Mastromarco,G., Commedie di Aristofane, vol. I, Torino,	1983 (contiene Acarnesi-Pace; con introd. e note critiche)
332. Mastromarco, G., "Teatro comico e potere politico nell'Atene del V sec." in Storia, Poesia e Pensiero nel 	Mondo Antico. Studi in onore di M.Gigante, Napoli, 1994, p.451-458
333. Mastromarco, G., "Problemi di interlocuzione nel prologo della 'Lisistrata' di 	Aristofane", Eikasmos, 1995, p.71-89 
334. Mastromarco, G., "Donne a teatro nell'Atene di Aristofane" in L.Belloni et al. (a c.di) 	Studia classica Iohanni Tarditi oblata, II, Milano, 1995, p.947-955
335. Mastromarco, G. Introduzione a Aristofane, Bari, 1994.
336. Mastromarco, G., "Il commediografo e il demagogo" in Sommerstein 1993, p.341-357
337. Mastromarco,G. , "La commedia attica?" in Lo spazio letterario della Grecia Antica.  L'età della polis p.??
338. Mastromarco, G., "Trame allusive e memoria del pubblico" in Filologia  e forme 	letterarie. Studi offerti a F.Della Corte, Urbino, 1987, I, pp. 239-243
339. Mastronarde, D.J., Contact and Discontinuity: Some Conventions of Speech and Action on the Greek Tragic Stage, Berkeley and Los Angeles, 1979 (?)
340. Mastronarde, D.J., "Actors on High: the Skene Roof, the Crane and the Gods in Attic Drama", ClAnt, 1990, p.247-94
341. Mazon, P., Essai sur la composition des comédies d'Aristophane, Paris, 1904
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